Category Archives: Ecology in Art & Literature

Wakulla Green- by Hot Tamale

Rob Diaz de Villegas WFSU-TV

IGOR chip- human appreciation 150The Wakulla Ecotourism Institute has a program to certify qualified nature guides called “Green Guides.” On October 1, 2011, my musical group Hot Tamale is putting on a special show at Posh Java in Sopchoppy that will honor the green guides with the release of a new song called “Wakulla Green.”

-Excerpt from a comment by Craig Reeder.

Above is the song  Craig was talking about in his comment on our EcoAdventures North Florida page.  Thanks to his comment, we found out about the Green Guide program, and we produced a couple of EcoAdventures where we were guided by Green Guides.  On last night’s dimensions, we were taken down the St. Marks River by Captain James Hodges.  We featured portions of the song in our piece, and I thought some of you who saw the piece might like to hear the song in its entirety.  In January, we’ll have a video about our trip down the Wacissa with George Weymouth and Jim Dulock. Continue reading

In the Grass, On the Reef, Over the Airwaves

In the Grass, On the Reef

June 29, 2011 at 7:30 PM/ ET

WFSU-TV

Rob Diaz de Villegas WFSU-TV

A little over a year ago, when the FSU Coastal & Marine Laboratory and WFSU-TV – a TV station – started this online enterprise, the understanding was that at some point this would end up being a show.  And so here we are.  As you may have gathered from that video up there, this will be about predators and prey: who’s eating whom, and who’s scaring whom.  We will of course be doing this through the prism of David and Randall’s studies: the consumptive and non-consumptive effects of predators in salt marshes and oyster reefs, and the methods used to shine a light on these interactions. Continue reading

A Year of Sunrises

Mike Plummer WFSU-TV

John Spohrer, early morning Apalachicola

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I have known John Spohrer since the late 1980’s, when he was introduced to me as one of the locals who lived year-round on St. George Island. I often rented houses with friends for weekends on the island back in those wacky 80’s and 90’s and he was always a welcome addition to whatever revelry would breakout in our kitchen, on our deck or on the beach.

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Oystermen Artist Project

Mike Plummer WFSU-TV

IGOR chip- human appreciation 150Michael Harrell is a local artist, brought to WFSU-TV’s attention by one of our viewers. Michael paints in both oils and watercolors and among his nautical themes are depictions of the oystermen of Florida and South Carolina. This video looks at that series of paintings. The thing that I found so beautiful about his work is his ability to capture a sense of time with his portrayal of light. You can find additional information about the artist at MichaelHarrellArt.com.

Our local oystermen, as you see in this video, typically harvest subtidal oyster reefs like those in the Apalachicola Bay.  Michael Harrell also shows South Carolina oystermen harvesting intertidal reefs like those covered in this blog (i.e. Alligator Harbor).  The South Carolina sites of the biogeographic oyster study are sampled by Jeb Byers’ group.

Writing about a bygone era of fishing.

Mike Plummer WFSU-TV

IGOR chip- employment 150A few weeks ago we posted a video of a blue crab molting, and about the blue crab reproductive cycle.  The man narrating the video was Leo Lovel.  That video was an offshoot of a segment for WFSU-TV’s dimensions program, which we present here.  As a commercial fisherman and restauranteur, many of the species he makes his living off of are residents of Salt Marsh and Oyster Reef habitats.

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Clay (L) and Leo (R) Lovel outside of their business, the Spring Creek Restaurant.

I heard about Leo Lovel from Rick Ott, a friend of mine who owns a recording studio in Sopchoppy, FL.   Rick was working on a project to record Leo’s books, The Spring Creek Chronicles 1 & 2, to audio files for books on tape or CD.   Rick thought I might be interested in Leo’s short stories about his fishing and hunting experiences around the big bend, dating back to his childhood, so he gave me a copy of the first book. I read some of the stories and then arranged to meet Leo to talk about the books.   At that meeting is where he told me about his idea to publish the All Florida Reader.   Now, Leo’s day job is owner of a restaurant called Spring Creek Restaurant.   It’s a family run business and the Lovel’s have cultivated a very loyal following throughout the southeast over the past 30+ years.   They either catch the seafood themselves or they buy it fresh, only from local fishermen.   It’s a pretty time consuming way to stock a seafood restaurant menu, but it’s the only way Leo Lovel will serve you a meal.

Back in the 90’s, Leo was also a commercial fisherman who was on the front line of the Florida net ban battle.   Although it doesn’t seem like such a long time ago, that era is quietly passing into Florida’s history as those old-timers pass on.   And that’s the unusual value I found in the stories that Leo took the time to put down on paper… these are first hand personal accounts of a specific area and people over a long period of time.   But Leo took his book project a step further.   He turned it into a tool in his personal attempt to help motivate local school kids to “want” to learn to read and write.  That’s the All Florida Reader and I think that speaks volumes about Leo Lovel.

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Leo's marina at Spring Creek Restaurant. Into here will drift boats carrying what will become dishes in the restaurant.

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Two Poems

IGOR chip- human appreciation 150 Here are two more poems by Dawn Evans Radford.  In her first post, she depicted the day of an oysterman. Here we have a limerick about the oysters themselves, and a more serious piece on our relationship with our natural surroundings.

Dawn Evans Radford

Limerick

Down in the bay lived a plump little oyster
whose hormone changes eventually forced her
to fly into a tizzy.
Cried she, I get dizzy
trying to decide if I’m a girl or a boyster.

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Oysterman

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In Yesterday’s post, Tanya Rogers wrote about an old-timer oysterman in Jacksonville whose local knowledge aided David Kimbro and his team in locating reefs to study.  In today’s post, we take a poetic look at the life of an oysterman.
This is the first post by Dawn Evans Radford, a resident of Franklin County with deep roots in the area.  She is a published writer of poetry, literary research, and fiction; her novel Oyster Flats won the 1993 Sherwood Anderson Award.  Most recently she contributed to Unspoiled, a compilation in which Florida writers speak for the preservation of Florida’s wild coast and against offshore drilling.  She is currently writing a second novel and, happily, contributing posts to this site.
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“Thicker than Water” Opening

Roberto Diaz de Villegas WFSU-TV

IGOR chip- human appreciation 150We have some photos from the event, and you can see the turnout was good.  The SAIL Bluegrass Ensemble played in the garden.  It never ceases to amaze me how many young people in Tallahassee not only get into bluegrass but put on a good show.  Inside, there were some artful cards made by LeMoyne students that could be obtained by donating, and which were intended to be sent to legislators so that people could express their concerns over offshore drilling in Florida.  And then of course there was the art.  Allison Jackson’s oil paintings were featured in our previous post.  They depict scenes along the Forgotten Coast, or scenes featuring animals of the Forgotten Coast.  Patrick Lane had some mixed media pieces, some of which are featured in the slideshow below.  Their artwork will be sold and the proceeds split between LeMoyne Center for Visual Arts and two organizations, both of whom were present on Friday.

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Thicker than Water: an Exhibit of Community Concern

IGOR chip- human appreciation 150The show opening tonight at the LeMoyne Center for Visual Arts has a topic close to our hearts.  It’s called “Thicker than Water: an Exhibit of Community Concern,” and it features works by two artists concerned about human impact on Gulf ecosystems.  The proceeds from tonight will be split three was between the art center, Crude Awakening Tallahassee and the Florida Wild Mammal Association, and the Wild Mammal Association will have some statistics on the current crisis.  The artists are Patrick Lane and Allison Jackson.  Allison’s paintings are featured in the slideshow above.  One painting is titled St. Joseph Bay, which is of course where  we are following Dr. Randall Hughes and her biodiversity in salt marsh ecology study.  The first painting of the slideshow features something that’s been a common sight the last couple of months in the bay, horseshoe crabs coupling.

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Photography feature: Beth Switzer

IGOR chip- human appreciation 150The Panhandle has been my home for most of my life and the older I get, the more fun I have looking at – and photographing – it in  an “up close and personal” manner.

There is great fun in “really seeing” something for the first time and being surprised by just how beautiful it is.

-Beth Switzer

The slideshow above was photographed by Beth at Alligator Point, not too far from where David Kimbro is studying oyster reefs, and many of the photos are of salt marshes, such as those studied by Randall Hughes.  So I knew when I saw them that they would be a great fit for this site.

You may know Beth Switzer as Executive Director and on camera personality at The Florida Channel, and before that on WFSU-TV.  I was surprised, after years of watching and occasionally working with her, to discover that she liked to photograph nature.  What’s not surprising is that she has forged a connection with the natural splendor of our area.  Those of us working in broadcasting in the panhandle end up seeing a lot of the area, and meeting a lot of the people.  It’s impossible to work in TV here and not love it here.

We’re two months into “In the Grass, On the Reef,” and so far the winds have been kind to Randall and David’s sites in St. Joseph Bay an Alligator Harbor.  When Deepwater Horizon exploded, we stepped up production on the project thinking that oil would arrive at any moment, and that we should get as much footage as we could before it hit.  Now, the more I go to these places, the less I think about oil while I’m there.  I hear about it on the radio as I’m driving to and from the shoots, but then I’m walking in water, planting my tripod in mud to get a steady shot of a periwinkle climbing a blade of cordgrass, or trying to see through my lens a stone crab that looks only slightly different than the oysters surrounding it.  In those moments, it just doesn’t feel like it will happen.  I know it will most likely happen, but it never feels like it will.

One of the pleasant developments of doing this has been having artist features like the one above.  So far we have had photographers and musicians, and we are talking to some writers as well.  We want to hear from artists in any medium who depict or are inspired by the coastal habitats of the Forgotten Coast.  Photographers, painters, musicians, writers:  share your art with us!  You can e-mail us at outloud@wfsu.org.

And, as always, comments and questions are welcome.