Category Archives: In the Arts

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Jim McClellan’s “Life Along the Apalachicola River”

Video: We accompany Jim McClellan, author of Life Along the Apalachicola River, as he scouts turkey hunting locations and fishes in Iamonia Lake, an oxbow of the Apalachicola.

Rob Diaz de Villegas WFSU-TV

We met Jim McClellan at 5:00 am in the parking lot of a Blountstown McDonalds.  He took us to the Iamonia Lake Hunting and Fishing Club, from where we departed for Iamonia Island (surrounded by Iamonia Lake on one side and the Apalachicola River on the other).  We sat in the darkness, backs against a tree, unseen mosquitos conducting a blood drive from any skin we left exposed.  Turkey season began the following day; on this day we sat and listened, communicating by whisper.  I wondered, would Jim’s potential prey see the little red light on the side of my camera battery? Continue reading

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Seasons Out of Order | EcoShakespeare

Watch EcoShakespeare – the Complete Adventure NOW!

Rob Diaz de Villegas WFSU-TV

In the end, it worked out that we had to shoot the show out of season.

“And thorough this distemperature we see

The seasons alter…”

titania-headHere, Titania laments the damage done to the Earth’s climate cycles by her quarrel with Oberon, her husband and king of the fairies.  She may also have been looking at our production schedule for EcoShakespeare.  In October, we got our grant.  The product was to be (mostly) finished by the end of January.  The play we would be highlighting?  A Midsummer Night’s Dream.  It’s a summer where everyone is wearing jackets.  We tag a bird- a Henslow’s sparrow- that migrates to our area in late fall.  We forage for food that comes into season well after summer.  And that’s perfect.  How better to drive home the damage done by these nature deities’ marital discord?  As Titania said, the seasons alter… Continue reading

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Bird Watching & Nature Writing: Susan Cerulean at Bald Point

Video: bird watching, nature writing, and possibly the best sunrise spot on the Forgotten Coast. Author Susan Cerulean joins us at Bald Point State Park.

Rob Diaz de Villegas WFSU-TV

Susan Cerulean and I are watching a bufflehead duck dive for food by an oyster reef.  We’re at Bald Point State Park, and Susan is putting me in tune with nature’s cycles.  “You can’t know when that last one’s left,” she says of the duck, which should soon be departing for the north.  This is the seasonal cycle, warming and cooling that spurs many of the birds we’re seeing to start continental and intercontinental flights. Continue reading

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A Song of Protection for Wakulla Springs: EcoShakespeare

Video: Titania’s fairy retinue sings a song to ward off beasts of ill omen as she goes to sleep.  Likewise, the Friends of Wakulla Springs and the Wakulla Springs Alliance work to ward off threats to America’s largest spring.  Jim Stevenson, a board member of Wakulla Springs Alliance, leads our trip, which is based on the Wakulla Springs Overland Tour he he leads with Palmetto Expeditions.
EcoShakespeare is a series of adventures through north Florida/ south Georgia ecosystems.  During each trip, adventurers view a scene from A Midsummer Night’s Dream, each with its own significance to the day’s habitat.  Florida State University English professor, Dr. Bruce Boehrer, ties it all together.

Rob Diaz de Villegas WFSU-TV
A Suwannee cooter turtle swims among mats of algae in a sinkhole connected to Wakulla Springs.

A Suwannee cooter turtle swims among mats of algae in a sinkhole connected to Wakulla Springs.

While editing the video above, I kept hearing the Standell’s Dirty Water  in my head.  It’s a strange sort of ode to Boston, with its chorus, “Love that dirty water, Boston you’re my home.”  It refers to the polluted Charles River and contains some other less than flattering Bean Town references, but that song and Sweet Caroline are staples at Red Sox games (my wife and I were married in her native Massachusetts, where both songs were loudly sung along to during the reception).    Looking at shots of algae mats, the garbage piled into Lake Henrietta, and, most sadly, algae covered turtles, I don’t feel like writing even satirically about loving the quality of the water heading south to Wakulla Springs.  Instead, I offer you a song written by William Shakespeare for A Midsummer Night’s Dream (and arranged by Southern Shakespeare Festival’s Stephen Hodges).  In it, Titania’s fairy servants call upon Philomel the nightingale to protect her as she sleeps in the woods.

We won’t be interpreting the song literally, because what’s the fun in that?  The fairies are attempting to ward off what Dr. Bruce Boehrer calls “beasts of ill omen:” spiders, snakes and snails.  In the Wakulla Springs ecosystem, though, these are important members of the food web.  Our beasts of ill omen are defined by Madeleine Carr, President of the Friends of Wakulla Springs: dark water, hydrilla, and algae.  The creatures mentioned by name in the song actually need protection themselves from these threats to the spring.

When I was meeting with our partners at the Southern Shakespeare Festival to plan EcoShakespeare, one of the themes we wanted to explore was the Victorian concept of the Great Chain of Being. I had a wonderful brainstorming session with Lanny Thomas and Laura Johnson, the Artistic and Executive Directors of the Festival, and Wakulla Springs seemed an ideal place to filter through Shakespeare’s worldview.

On thew shores of Lake Munson, Titania's fairy attendants sing a song to protect her from snakes and spiders.  Lake Munson is Tallahassee's most polluted lake, receiving nitrates filled runoff and having previously been a dumping ground for sewage and industrial waste.

On the shores of Lake Munson, Titania’s fairy attendants sing a song to protect her from snakes and spiders. Lake Munson is Tallahassee’s most polluted lake, receiving nitrate filled runoff and having previously been a dumping ground for sewage and industrial waste.  Lake Munson feeds Wakulla Springs through the Munson Slough system.

In the Victorian Great Chain, order in the world is maintained by God and queen.  It’s a top-down model.  You see this at play in A Midsummer Night’s Dream.  Oberon and Titania, as king and queen of the fairies, are a type of nature deity.  Their marital discord upsets the skies and the seas, causing problems for plants and animals.  That upheaval moved from the top-down.  But nature often operates from the bottom-up.  Hydrilla entered Wakulla Springs State Park and crowded out apple snails, which deprived one of the park’s showy attractions, the bird on its sign, of its food. So the limpkin left, and has been gone almost two decades.  That problem moved its way up the chain, not down.  Likewise with algae.

Jim Stevenson leads our pursuit of water as it flows south from Tallahassee and collects contaminants.  One contaminant, nitrates, feed a microscopic plant, algae, which accumulates in the water.  It forms mats which block out the sun for native marine plants.  It blooms and sucks the oxygen out of the water, killing fish.  Those fish in turn are meals for birds and other larger animals, the ones tour guides point out on Wakulla Springs boat rides.

Jim Stevenson was once chief biologist for Florida's State Park Service.  In retirement, he has become a fierce advocates for the state's springs.  At the water Treatment facility on Springhill Road, he explains how sewage effluent was treated and piped to spray fields that had been feeding nitrates into the Wakulla Spring system.

Jim Stevenson was once chief biologist for Florida’s State Park Service. In retirement, he has become a fierce advocates for the state’s springs. At the water Treatment facility on Springhill Road, he explains how sewage effluent was treated and piped to spray fields that had been feeding nitrates into the Wakulla Spring system.

Of course, algae and hydrilla didn’t decide one day to become a nuisance and wreck the spring.  Hydrilla is an asian import, an aquarium decorative that found its way into American rivers.  It was introduced by humans.  Nitrates originate from people, too, often right within us.  It’s in our poop, which we like to think disappears to a fairy realm once we flush it down.  That’s just not true.  Utilities have to figure out how to sanitize and dispose of that waste, and the City of Tallahassee’s solution had inadvertently been putting nitrates directly into the aquifer.  They have spent a lot of money to fix that problem.  Nitrates also come from the synthetic poop substitute we use to make green lawns and larger tomatoes.  This assault on the aquifer starts in our homes and is carried by storm water down the streets and into lakes and streams.  Many Leon County lakes have sinkholes directly depositing water in the aquifer; many of our streams flow south into the Woodville Karst Plain, where sinkholes abound.
So, top-down and then bottom-up.

Shakespeare’s portrayal of a world controlled by the emotions of fairies is probably more fun than our reality of poop, algae, and invasive hydrilla.  Still, with his imagination, and his often wicked sense of humor, I can only imagine that he would craft something simultaneously tragic and comedic from what has happened in Wakulla Springs.  In the play, the gentle sea cow, the manatee, comes in and saves the day by coming in and eating the hydrilla in the spring run.  In reality, the power to fully save Wakulla Springs lies closer to the top of the Chain of Being, with the humans living in the Wakulla Springshed.

EcoShakespeare and the Wakulla Springshed

It just so happens that our three EcoShakespeare adventures move southward through the geological regions within the Wakulla Springshed, illustrating the different ways we interact with our aquifer depending on where we live.

EcoShakespeare 1: The Streams Region

old growth longleaf pine forestIn our first adventure, we visit the “Big Woods,” a private forest outside of Thomasville, Georgia containing a tract of old growth longleaf habitat.  This is in the heart of the Red Hills region, in which a layer of dense red clay sits atop the aquifer, slowly filtering water.  It’s referred to as the streams region of the Wakulla Springshsed because much of the rain that falls on it doesn’t actually recharge the aquifer, it just flows away on rivers like the Ochlockonee and Aucilla.  According to the Wakulla Spring Restoration Plan (released by the Howard T. Odum Spring Institute), this region adds about one inch of water per year over 770 square miles to the Floridan aquifer.

EcoShakespeare 2: The Lakes Region

BerriesWe follow Colbert Sturgeon down from Tall Timbers to Lake Iamonia (sounds kind of like ammonia), foraging for natural edibles along the way.  Lake Iamonia is one of four major sinkhole lakes in the Red Hills region.  Here, we still have that thick red clay to filter our water, but we also have four direct inputs to the aquifer that bypass the clay.  These lakes are Iamonia, Jackson, Lafayette, and Miccosukee.  This region adds eight inches a year over 250 square miles.

Last spring, we played on Lake Iamonia and hiked Klapp Phipps Park, which protects Lake Jackson.  In that video, we looked at our lakes and their relation to the aquifer with Tall Timbers and some other friends.  A couple of months later, we looked at the cleanliness of our lakes by reviewing Leon County’s 2011 Water Quality for Selected Lake and Streams report.  They have since published an updated report, which you can view here (the reports are long; you can use our blog post containing the older data as a guide to the information in the newer report).

The Cody Escarpment

Also known as the Cody Scarp, this is Florida’s ancient shoreline (and maybe, with sea level rise, its future shoreline).  This is where the Red Hills end, and our aquifer sits nearer to the surface.  This is an important dividing line when thinking about how water penetrates the limestone beneath us.

EcoShakespeare 3: The Woodville Karst Plain (WKP)

IMG_2987Even those of us living in the very south of the Red Hills see our water roll down the Cody Scarp and into the more porous WKP.  Rain is more directly in contact with the limestone aquifer here, and so that limestone is more likely to collapse and form a sinkhole.  There is little filtration here.  In the Red Hills, many contaminants are removed in the ten years or so that it takes to flow through the clay; in the Woodville Karst Plain everything flows right in.  This is the most vulnerable part of the Wakulla Springshed.  This region recharges the aquifer at a rate of eighteen inches a year over 145 square miles.

The Southern Shakespeare Festival

I’d like to take this opportunity too thank all of our partners in the venture.  Tall Timbers Research Station and Land Conservancy, Palmetto Expeditions (for whom Jim Stevenson leads the tour we feature in the video above), and the Friends of Wakulla Springs.  I’d also like to thank Colbert Sturgeon for enlightening and entertaining us, and FSU Professor Bruce Boehrer for the way in which he tied all of our crazy elements together.

Most of all, I would like to thank the Southern Shakespeare Festival.  Projects with this kind of unique twist are always great to work on, and more so when you can collaborate with people like Lanny Thomas, Laura Johnson, Kevin Carr, and Stephen Hodges.  Michele Belson designed the costumes worn by our uncredited performers, who braved some cold and windy weather to bring this project to life.  The SSF performances of a Midsummer Night’s Dream will take place from April 17-19 in the very place that the video above begins, in Cascades Park.  You can watch their groovy 60s take on my favorite Shakespeare play, and then gaze at the water flowing from beneath the stage and watch as nitrates feed algae (seriously, that’s what that waterway was meant to do.  Please do not touch it!).  It promises to be a doubly educational experience.

EcoShakespeare has been produced in association with WNET-TV's Shakespeare Uncovered.  Shakespeare Uncovered is made possible by the National Endowment for the Humanities. Major funding is also provided by The Joseph & Robert Cornell Memorial Foundation, Dana and Virginia Randt, the LuEsther T. Mertz Charitable Trust, the Lillian Goldman Programming Endowment, The Polonsky Foundation, Rosalind P. Walter, Jody and John Arnhold, the Corinthian International Foundation, and PBS.
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Foraging and the Magic of Plants: EcoShakespeare

Video: William Shakespeare grew up in nature, and it shows through in his plays. We visit Tall Timbers Research Station and Land Conservancy with wilderness survival instructor and star of National Geographic’s Live Free or Die, Colbert Sturgeon. As we walk down from Tall Timbers to Lake Iamonia, we gather wild food and explore Shakespeare’s knowledge of plants and their uses.  Once again, FSU’s Dr. Bruce Boehrer makes the connections in this second installment of EcoShakespeare.

Rob Diaz de Villegas WFSU-TV
Oberon, the king of the fairies, sends Puck to find an aphrodisiac flower in the woods outside of Athens.  Puck then uses a potion derived from the flower on the queen of the fairies, Titania, to set up some of the most comical moments of A Midsummer Night's Dream.

Oberon, the king of the fairies, sends Puck to find an aphrodisiac flower in the woods outside of Athens. Puck then uses a potion derived from the flower on the queen of the fairies, Titania, to set up some of the most comical moments of A Midsummer Night’s Dream.

If William Shakespeare were alive today, would some local BBC producer ask him to show  the plants of his native Warwickshire on camera?  Or would he consider flying to Tallahassee to sample persimmons growing by Lake Iamonia for WFSU?  In our year-end post for 2014, Dr. Bruce Boehrer starts to paint a picture for us of a man whose classic works are inextricably tied to his country upbringing.  It’s cool to think that the things that inspired him also inspire us here in north Florida.  He might have been right at home in the Red Hills region of farms, forests, and rivers; perhaps incorporating tupelo swamps and RCW cavities into his verse.

In the scene from A Midsummer Night’s Dream that we explore in the video above, we see that he likely had a good knowledge of the plants that grew around him.  Where Colbert Sturgeon extols pine needles’ abundance of vitamin c or the curative properties of St. John’s Wort, Shakespeare was versed in the magical properties of plants.  It’s reflective of a contemporary world view, just as his sense of ecology in our last video was rooted in interpersonal relationships.  He didn’t have the benefit of our science, but it is interesting to note that he had a general understanding of cause and effect in nature.  He might not have understood greenhouse gases and their role in climate change, but he could conceive that people could cause an imbalance that would change the weather and upset plant productivity.  Likewise, he knew that different plants had the ability to affect us, even if he didn’t understand the chemical basis for this.  Magic is just a name for all that we don’t yet understand.

In our final installment of EcoShakespeare, we’ll explore what Dr. Boehrer calls Shakespeare’s “proto-ecological” sensibilities.  Unlike the other leading playwrights of his day, Shakespeare didn’t have a university education.  Yet he still learned classical literature, inventively mixing drama and comedy, the high-brow and the down-home.  It’s much the same with his perception of the natural world.  Two-hundred-and-fifty years before the word ecology is coined, he sort of intuitively gets it.  It’s nothing less than you’d expect from a man whose works still resonate four-hundred years after they were first written and enjoyed by audiences.

As we walked down from Tall Timbers to Lake Iamonia, this is what Colbert collected.  The bright purple beauty berries are attractive and nearly flavorless.  The duller colored berries are sumac.  When we shot this in really November, they were slightly out of season.  The persimmons were not quite ripe.  Our local variety is intensely bitter until it ripens.  As Colbert was making his medicinal tea, we realized that we had no cups or straws, so Colbert fashioned this straw from a bamboo stalk and we all sipped straight from the teapot.

As we walked down from Tall Timbers to Lake Iamonia, this is what Colbert collected. The bright purple beauty berries are attractive but nearly flavorless. The duller colored berries are sumac. When we shot this in early November, they were slightly out of season, whereas the persimmons were not quite ripe. Our local variety of persimmon is intensely bitter until it ripens. As Colbert was making his medicinal tea, we realized that we had no cups or straws, so he fashioned this straw from a bamboo stalk and we all sipped straight from the teapot.

Next week, we conclude EcoShakespeare with a song of protection for Wakulla Springs.  Nitrates, algae, hydrilla, and dark water have weakened one of our area’s foremost ecological resources.  Just as Titania’s fairies cast a spell to protect her from spiders and snails, the Friends of Wakulla Springs and the Wakulla Springs Alliance work to protect the beloved local tourist destination and wildlife habitat.

Special thanks to WFSU’s partners for this EcoShakespeare segment, The Southern Shakespeare Festival and Tall Timbers Research Station and Land Conservancy. EcoShakespeare is funded by a grant from WNET’s Shakespeare Uncovered. Catch their take of a Midsummer Night’s Dream Friday, January 30 at 9 pm ET on WFSU-TV. For more information on Shakespeare Uncovered and WFSU’s associated TV and Radio projects, visit our Shakespeare Uncovered web site.
Shakespeare Uncovered is made possible by the National Endowment for the Humanities. Major funding is also provided by The Joseph & Robert Cornell Memorial Foundation, Dana and Virginia Randt, the LuEsther T. Mertz Charitable Trust, the Lillian Goldman Programming Endowment, The Polonsky Foundation, Rosalind P. Walter, Jody and John Arnhold, the Corinthian International Foundation, and PBS.
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Clearcutting the Longleaf Forest: EcoShakespeare

EcoShakespeare is a series of expeditions into uniquely north Florida/ south Georgia ecosystems.  Each adventure is led by a master of their field and includes a scene performed from A Midsummer Night’s Dream that relates to the trip.  Florida State University English professor Dr. Bruce Boehrer ties Shakespeare’s words to our local habitats, creating a one of  kind blending of art and nature.  Part one takes place in a secret, ancient forest…

Rob Diaz de Villegas WFSU-TV
Jim Cox is the Vertebrate Ecology Program Director at Tall Timbers Research Station (he's the one not holding the camera).  Based north of Tallahassee, Tall Timbers has studied the longleaf habitat, and its dependence on fire, for over 50 years.

Jim Cox is the Vertebrate Ecology Program Director at Tall Timbers Research Station (he’s the one not holding the camera). Based north of Tallahassee, Tall Timbers has studied the longleaf habitat, and its dependence on fire, for over 50 years.

We begin this EcoShakespeare project, appropriately enough, in a longleaf forest that exists much as it did during the time of William Shakespeare.  The “Big Woods,” as Tall Timbers’ Jim Cox calls them, sit on private land.  Few people will ever get the privilege to walk under those ancient longleaf pines, in one of the few places where Henslow’s sparrows and red cockaded woodpeckers are relatively easily seen.  And it’s one of the few places where you might find longleaf pines that lived while the Bard’s plays were being penned.

You can see the numbers in the video above.  The American southeast was once covered in 90,000,000 acres of longleaf.  Today we have 3,000,000.  Of that, only 8,000 has never been cut.  Jim compares it to the entire population of the Earth being whittled down to a city the size of Milwaukee.  And while 3,000,000 acres is still a vast reduction from the historic number, it’s much better than 8,000.  So why do we emphasize the especially low acreage of remaining old growth forest?

The immortal king of the fairies, Oberon, stands next to a considerably younger 350 year old (give or take) longleaf pine.

The immortal king of the fairies, Oberon, stands next to a considerably younger 350 year old (give or take) longleaf pine.

It’s something that I can appreciate as I stare down my fortieth birthday next year- a mature longleaf offers more ecosystem services than a young one.  Red cockaded woodpeckers make nests in trees that are over 90 years old.  The heart wood of these older trees is more likely to suffer from red heart disease, a fungus which softens the wood and makes it easier for the woodpeckers, over several generations, to make a cavity.  Jim Cox, answering questions from our adventurers, says the birds’ numbers are looking much better after getting dangerously low.  He attributes this to artificial cavities sawed into less mature trees.  But for the RCW to leave the endangered list, it has to make it without our help.  And for that, we need more mature trees.  The problem with that is that… you have to wait… and wait… and wait… for enough of them to get to that right age.

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Another ecosystem service offered by a mature longleaf is its wrinkly face.  As a longleaf ages, its bark becomes gnarlier and rougher.  This creates more surfaces for insects and other invertebrates to inhabit.  And as is true in any ecosystem, those little creepy crawlies are food for all of the much prettier animals that we travel with binoculars to try and spot.  An ecosystem will not thrive if the bottom of the food web is not healthy.

Years ago, when we started EcoAdventures, I accompanied FWC’s Andy Wraithmel and Liz Sparks to several birding spots along the Apalachicola River.  Near sunset, we stopped in the Apalachicola National Forest.  When you drive down State Road 65, you may notice painted white bands on the longleaf pines.  These are trees with RCW cavities, or that have qualities that might attract the rare woodpecker.  We stopped by a cluster of those trees, Liz and Andy admiring the good work that has been done to restore the habitat.

Controlled burn in the Apalachicola National Forest along State Road 65.

Controlled burn in the Apalachicola National Forest along State Road 65.

Looking at the shots of the National Forest that we included in the video above, the differences between it and the “Big Woods” are subtle.  The trees look a little skinnier, perhaps, but even a 500 year old longleaf will never be that much thicker than a young one.  In one shot, you can see the planted rows of slash pine that timber operations started using after having cut the slower growing/ higher quality longleaf.

Andy and Liz talked to me about the thinning of trees (longleaf habitat features widely spaced trees), regular burning, and other restoration activities that have the forest looking a little more like it once had.  But, Andy noted, none of us would be alive to see the forest fully recovered.  Except, maybe, the immortal Oberon and Titania.

Next week, we look at Shakespeare’s upbringing as we forage for food along Lake Iamonia. Also, marital tensions between Oberon and Titania escalate as the king plots with Puck to use the herbs of the forest against the queen.

Special thanks to WFSU’s partners for this EcoShakespeare segment, The Southern Shakespeare Festival and Tall Timbers Research Station and Land Conservancy. EcoShakespeare is funded by a grant from WNET’s Shakespeare Uncovered. Catch their take of a Midsummer Night’s Dream Friday, January 30 at 9 pm ET on WFSU-TV. For more information on Shakespeare Uncovered and WFSU’s associated TV and Radio projects, visit our Shakespeare Uncovered web site.
Shakespeare Uncovered is made possible by the National Endowment for the Humanities. Major funding is also provided by The Joseph & Robert Cornell Memorial Foundation, Dana and Virginia Randt, the LuEsther T. Mertz Charitable Trust, the Lillian Goldman Programming Endowment, The Polonsky Foundation, Rosalind P. Walter, Jody and John Arnhold, the Corinthian International Foundation, and PBS.
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The Biology / Art Intersection

Tanya Rogers FSU Coastal & Marine Lab

Blue crab – colored pencil

IGOR chip- human appreciation 150Art is something I’ve always loved almost as much as biology. If I hadn’t been a biology major in college, I probably would have been an art major, and it is the fusion of the two that I like in particular: the realistic artwork of plants, animals, other living creatures, and their environments. There is something I especially enjoy about drawing plants and animals, because to draw them accurately, you have to look at them with a closeness and a consideration beyond the everyday. You notice the forms and structures and beautifully intricate details you would have never seen otherwise. I find that you see the organism in a new light, with a new appreciation, understanding, and respect.

It wasn’t until a couple years ago that I discovered the field of scientific illustration – that this  marriage between biology and art was in fact an entire line of work. Artwork of biological organisms is used for a variety of purposes, including field guides, identification keys, scientific papers, descriptions of new species, textbooks, educational displays, brochures, and posters. A number of people work as full or part time scientific illustrators, often for museums or publishers, or as free lancers. Beyond the fine arts, it appears there’s a market for the exact types of drawings I’ve always loved to create.

Sand dollar and sea urchin – pen and ink

You may wonder why scientific illustrations are still important today given the ubiquity of photography. It is mainly because there are limitations to what photographs can depict clearly. With illustrations, important details can be captured and highlighted, the background and unimportant details omitted, photographic artifacts eliminated (like obscuring highlights and shadows), and the organism best positioned to convey its important features in a way that is easily interpreted. Interactions, behaviors, and assemblages can be depicted that would be difficult or impossible to capture on film. Fossil and other extinct plants and animals can be portrayed as they would look in real life. Illustrations are also very useful for schematics and diagrams, and are very commonly used to depict medical procedures.

Scientific illustration differs from other forms of art in that accuracy is imperative, but aesthetics are also of consideration. Composition is important, as is skillful use of the artistic medium and the portrayal of three-dimensional form, light, shadow, and depth. Great illustrations should look both realistic and visually appealing, capture the right amount of detail, and perform well the interpretive function for which they were created. The medium itself can range widely depending on how the illustration is to be used. Pen and ink, colored pencil, watercolor, and other traditional media are common, and digital artwork is increasingly common today.

The whelk Busycon spiratum – graphite

Last summer I decided to attend the annual conference of the Guild of Natural Science Illustrators held that year in Olympia, Washington. It was a fabulous conference where I met many phenomenal scientific illustrators, all far better artists than me, and all wonderful and friendly people with a common love of both science and art. The talks, workshops, and field trips at the conference, like the interests of the attendees, were a mixture of art and biology, encompassing everything from techniques (like how to draw fish scales accurately) to interesting local natural history (like research on crows’ ability to recognize human faces). I picked up many new techniques and ideas to take back with me and try. Having previously attended college in Washington state, it was also wonderful to return to the beautiful Pacific Northwest for a week.

Ultimately, I plan to go into biology rather than illustration as my primary career, but I hope that illustration might be a fulfilling side venture. I hope you enjoy the illustrations of mine I’ve included in this post, which are all of species found in Florida.

For more information on scientific illustration, visit the Guild of Natural Science Illustrators webpage, or Science-Art.com, where you can peruse the work of many of its members. There are also a number of blogs on science and art, such as this one, which has links to several other blogs on its homepage.

Hughes/ Kimbro (Hug-Bro) Labs Poster

Hughes-Kimbro Lab poster and t-shirt design – pen and ink

Green sea turtle – not actually an illustration, this is a sand sculpture I made on a beach (one of my more bizarre artistic hobbies)

Paint Every Feather

Wednesday, January 18 at 7:30 PM/ ET, watch WFSU’s latest EcoAdventure on dimensions, as Green Guides George Weymouth, Jim Dulock, and Cynthia Paulson guide us down the Wacissa River.  Birds, springs, and art- you can read more about that below, and enjoy this video looking at how George- a well known painter and sculptor in our area- creates his hyper-realistic works.

Rob Diaz de Villegas WFSU-TV
George Weymouth paints black-necked stilts

In the interest of being intensely accurate, George's painting area is surrounded by field guides and nature magazines.

IGOR chip- human appreciation 150

George Weymouth is telling me how he is going to paint the ripples caused by a black-necked stilt’s (Himantopus mexicanus) wading in a river, and how the the avian subjects of his painting reflect over the disturbed water.  When he’s done getting the shape of the bird’s body, and the general coloration, he’ll add various feathers- primaries, secondaries, and tercials; all located at the anatomically appropriate places on its body.  Something occurred to me as I edited this footage into the above video:  when I had accompanied George down the Wacissa River the week before, he was looking at whole different world than I was.  A man who can accurately paint every feather on a bird is likely to have a unique perspective.

Continue reading

Wakulla Green- by Hot Tamale

Rob Diaz de Villegas WFSU-TV

IGOR chip- human appreciation 150The Wakulla Ecotourism Institute has a program to certify qualified nature guides called “Green Guides.” On October 1, 2011, my musical group Hot Tamale is putting on a special show at Posh Java in Sopchoppy that will honor the green guides with the release of a new song called “Wakulla Green.”

-Excerpt from a comment by Craig Reeder.

Above is the song  Craig was talking about in his comment on our EcoAdventures North Florida page.  Thanks to his comment, we found out about the Green Guide program, and we produced a couple of EcoAdventures where we were guided by Green Guides.  On last night’s dimensions, we were taken down the St. Marks River by Captain James Hodges.  We featured portions of the song in our piece, and I thought some of you who saw the piece might like to hear the song in its entirety.  In January, we’ll have a video about our trip down the Wacissa with George Weymouth and Jim Dulock. Continue reading

In the Grass, On the Reef, Over the Airwaves

In the Grass, On the Reef

June 29, 2011 at 7:30 PM/ ET

WFSU-TV

Rob Diaz de Villegas WFSU-TV

A little over a year ago, when the FSU Coastal & Marine Laboratory and WFSU-TV – a TV station – started this online enterprise, the understanding was that at some point this would end up being a show.  And so here we are.  As you may have gathered from that video up there, this will be about predators and prey: who’s eating whom, and who’s scaring whom.  We will of course be doing this through the prism of David and Randall’s studies: the consumptive and non-consumptive effects of predators in salt marshes and oyster reefs, and the methods used to shine a light on these interactions. Continue reading